MS Teams link for Fri 15th July 2022 12.00-18.00 GMT
See further information on this blog…
Blog for Dr. Tony D Sampson (academic, author)
Tag: affect theory
MS Teams link for Fri 15th July 2022 12.00-18.00 GMT
See further information on this blog…
Very pleased to announce imminent publication of new Rizosfera eBook in both Spanish and English. I hope these texts will provide a glimpse into a continuing project I have tried to encapsulate under the heading of Experience Capitalism. This term stresses the importance of a political inclination toward the management and intensification of the so-called user experience. The outcome of this tendency is twofold: (a) it draws attention to a neurological-somatic shift from the management of efficient cognition (perception, attention, memory etc.), toward previously marginalized affects, feelings and emotions, and (b), necessitates a critical theory and philosophy of experience, alert to such trends in digital labour.
The first text is taken from The Assemblage Brain: Sense Making in Neuroculture (Minnesota UP, 2016). It sets out a theoretical frame intended to trace the trajectory of Experience Capitalism from ergonomics and cognitive science toward the intensification of the collective dynamic of user experience. The second text, taken from A Sleepwalker’s Guide to Social Media (Polity, 2020), extends this critical frame by sketching out a Whiteheadian philosophy of experience. In addition to these two chapters, there is an interview with Jernej Markelj, currently based at the University of Amsterdam. This text was first published in The Journal of Media Art Study and Theory (2020) and provides a rangy discussion on contagion theory, interestingly captured in the context of the first COVID-19 lockdown. There is also a dialogue with N Katherine Hayles, initially published in Capacious: Journal for Emerging Affect Inquiry (2018). This conversation locates the Assemblage Brain thesis in a converging and diverging spiral of relation to Hayles’s Unthought: The Power of the Cognitive Unconscious (University of Chicago, 2017). We have also included some somnambulist illustrative diagrams by the artist Mikey Georgeson, extracted from A Sleepwalker’s Guide. More to follow: https://viralcontagion.blog/books/
A&SM Affect Theory Reader II full programme announced
Register here: https://www.eventbrite.co.uk/e/asmuel-present-the-affect-theory-reader-ii-a-preview-symposium-registration-338027558527
Somewhat excited about this…
Join us in east London for this special free symposium on Fri July 15th 2022 to preview The Affect Theory Reader II (Duke University Press, 2023).
Affect and Social Media/University of East London present
A Preview Symposium
Coming sometime in the latter half of 2023: The Affect Theory Reader II: Worldings, Tensions, Futures from Duke University Press! This event will preview work from a few of the book’s almost two dozen contributors.
The reader’s second edition promises to unsettle and reorient the futures of affect theory, to leave particular tensions and ambiguities even more gloriously unresolved, and to assemble a shimmer of inventories that refuses closure around any kind of “monoaffective imaginary” (in the words of Lauren Berlant). Let’s get uncomfortable and unlearn a lot of what has already been thought and felt by affect theory in order to imagine worldings that might open up otherwise and elsewhere. Or at least flail again, flail better.
In addition to the editors, Gregory Seigworth and Carolyn Pedwell, a full programme and schedule of speakers will be announced soon (on the Virality blog).
The event is hosted by Affect and Social Media at University Square Stratford Campus: University of East London (UEL), 1 Salway Place, London, England, E15 1NF
Registration is open:
Here is the list of public lectures for SFSIA 2021. Free registration link: https://activistneuroaesthetics.art/conference/
A central feature of SFSIA is a Public Lecture Series, which is free and open to the public to invite conversation, debate, and inquiry across communities. This year, an ACTIVIST NEUROAESTHETICS Conference will be held online over four days as part of Saas-Fee Summer Institute of Art.
All times Central European Time (CET/Berlin).
via Zoom, free with registration at: https://activistneuroaesthetics.art/conference/
THURSDAY, JULY 8
5pm Introduction
5:30pm Panel discussion with Franco “Bifo” Berardi, Cécile Malaspina, Warren Neidich, and Charles T. Wolfe
7:30pm Warren Neidich
FRIDAY, JULY 9
1pm Yann Moulier Boutang
2:30pm Yves Citton
5pm Tony David Sampson
6:30pm Reza Negarestani
SATURDAY, JULY 1010am Anna Munster
11:30am Jacquelene Drinkall
1pm Kundalini Yoga with Nathalie Anglès
5pm Florencia Portocarrero and Karen Lofgren
6:30pm Anuradha Vikram
SUNDAY, JULY 11
1pm Elena Agudio
2:30pm Agnieszka Kurant
5pm Juli Carson
6:30pm Arne De Boever
I’ll be in Lancaster PA with Mikey Georgeson for #SSASS: ANIMATIONS AND PROVOCATIONS Society for the Study of Affect Summer School July 29 to August 02, 2019.
Registration will open here on the 1st April as will details about the seminar programme.
We are very pleased to confirm the full programme (see below) for the fourth Affect and Social Media one day conference at UEL’s USS building in Stratford, east London on Nov 7th.
The 2018 event marks the publication of the first Affect and Social Media book (Rowman & Littlefield International).
Together with 7 panels, featuring cutting edge international research and curated sensorium performances, there is a special keynote by Patricia Ticineto Clough followed by a keynote panel and audience Q&A.
The event will culminate with the A&SM book launch, live music from The Indelicates and refreshments.
A&SM#4 is free, but advance online registration is essential to gain access to UEL’s USS campus building.
To register and see more information on the conference visit: https://viralcontagion.blog/affect-social-media4/
Time. Location
All Rooms TBC |
Actual Occasion | ||
10.00-11.10am Entrance to the University Stratford Square Campus Building | Registration
Please note that before entering the campus all attendees must register online: https://www.eventbrite.com/e/affect-social-media4-notifications-from-the-technological-nonconscious-tickets-46972453874 |
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11.15-11.45
Room USG.17 Main Lecture Theatre |
Welcome to A&SM#4 by Tony D Sampson
plus Sensorium One |
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Break 15mins | |||
12-1pm
Parallel Sessions A Choice of three panels Panel 1: USG.17 Panel 2: USG19 or US2.30 Panel 3: USG20 or US2.31 |
Panel 1 Chaired by Greg Seigworth
Lisa Blackman (Goldsmiths, UK) Haunted Data
Camilla Møhring Reestorff (Aarhus University, Denmark) Affective Governmentalization: Backlashes again the #Metoo-movement in Denmark
Heather Radwan Jaber (University of Pennsylvania, USA) Sexual harassment and social media in Egypt: Reorienting the resonance machine |
Panel 2 Chaired by Darren Ellis
Vered Elishar-Malka & Yaron Ariel (Yezreel Valley College, Israel) Social media, Legacy media, and the public, in the Trump(ing) era
Suzanne van Geuns (University of Toronto, Canada) Rational Virtuosity and Religious Promise: Aspiring toward Jordan Peterson in Reddit Debates
Fadi Safieddine, (Queen Mary University, UK) Factors contributing to the continuing failure in combating the spread of fake news on Social Media |
Panel 3 Chaired by Ian Tucker
Maximilian Stobbe, (Freie Universität, Berlin, Germany) My Reaction Can Be Summed up by the Guy at 2:23!” – YouTube Reaction Videos as Affective Practices
Orsolya Bajusz (Corvinus University of Budapest, Hungary) The affective dynamics of online shaming and liberal moral outrage
Fulla Abdul-Jabbar (School of the Art Institute of Chicago, USA) Why did you cry when you read that poem |
Break 5mins | Find next panel | ||
Parallel Session B
1.05-2.05pm Choice of two panels Panel 4 in USG. 19/20 or USG. 19 Panel 5 in USG.20 or US2.31
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Panel 4 Chaired by Darren Ellis
Angie Voela (University of East London, UK) Fragile masculinities and contemporary psycho-power: The Case of InCel
Ali Lara (University of East London, UK) Affective Modulation in Positive Psychology’s Regime of Happiness
Trenton Lee (University of Westminster, UK) Feeling the Burn: Effect of Digital Capitalism on the Mental Health of Creators
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Panel 5 Chaired by Stephen Maddison
Sarah Cefai (London College of Communication, UK) Stupid in the Moment: Excavating the Patriarchal Nonconscious of Humiliation
Christina Riley (George Mason University, Virginia), The Affective Flux of Feminist Digital Collectives or What Happened to the Women’s March of 2017
Annelot Prins (Freie Universität Berlin, Germany) How Much Do You Want To Meet Taylor Swift? The Cruel Optimism of Online
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2.05-3.05pm
In USG.19/20 and/or the Foyer |
The Sensorium 2
The Actual Occasion – a silent disco with Mikey B Georgeson
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Parallel Session C
3.05-4.05pm Choice of two panels Panel 6 in USG. 19/20 or USG. 19 Panel 7 in USG.20 or US2.31
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Panel 6 Chaired by Ali Lara
Antonia Hernández (Concordia University, Canada) The Simple, the Compound, and the Spurious: Assemblages of Bots and Humans on a Sexcam Platform
Elena Pilipets (Alpen-Adria-Universität Klagenfurt, Austria) Sleeping with Netflix: The (Dis)Connected Body of Serial Binge Viewer
Andreas Schellewald (University of Edinburgh, UK) Going down the algorithmic rabbit hole: approaching affective engagement in montage videos on social media platforms
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Panel 7 Chaired by Stephen Maddison
Vered Elishar-Malka, Dana Weimann-Saks & Yaron Ariel (Yezreel Valley College, Israel) The Secret Online World of Women: Intimacy and Exposure among Women’s Closed Facebook Groups
Josie Barnard (Middlesex University, UK) The Multimodal Writer
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4.05-4.15pm | 10min break | ||
Session D
4.15-6.45.pm in Main Lecture Theatre USG.17 |
Keynote Session
Patricia Ticineto Clough: The User Unconscious: Embodiment and Thought Audience Q&A Keynote Panel Opening response by Gregory J. Seigworth (Millersville) Keynote Panel Jessica Ringrose (UCL), Amit Rai (Queen Mary), Rebecca Coleman (Goldsmiths), Darren Ellis and Ian Tucker (East London) Audience Q&A with panel Session D chaired by Tony D Sampson |
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7-10pm
USG.19/20 and USS Foyer |
Affect and Social Media book launch & Sensorium Performance 3 including
Live performance by The Indelicates
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Affect & Social Media#4: Notifications from the Technological Nonconscious
Conference date: Wednesday, November 7th 2018
Venue: University Square Stratford Building, East London, UK
Keynote: Patricia Ticineto Clough
Keynote Panel (tbc)
Conference Information Page: https://viralcontagion.wordpress.com/affect-social-media4/
To mark the publication of the first Affect and Social Media book (Rowman and Littlefield, July 2018) we are very pleased to announce a cfp for a special A&SM#4 one day (free registration) conference.
We welcome 250 word abstracts for 15min presentations from scholars working across disciplinary borders, theories, concepts and methodologies (arts & humanities, social sciences, psychology, computer and data science etc.).
We especially welcome contributions from postgraduate students and early career researchers.
Abstracts should ideally respond creatively (and flexibly) to one of the six conference themes set out below.
Deadline for submission of abstracts: Sept 15th 2018.
Send a 250 word abstract as an email (no attachments) including full name, affiliation and email contact address to t.d.sampson@uel.ac.uk
Accepted abstracts will help to frame a series of subsequent discussion points/questions that will be addressed by our keynote panel (to be announced shortly).
Conference Themes
The exponential rise of social media in the early twenty first century has drawn much critical attention in the humanities to a seemingly paradoxical human-computer relation. On one hand, human thought is both contemporaneous with, and frequently outperformed by, the uber-cognitions of corporate computational media technology. There is, indeed, much concern expressed about the possible absence of human consciousness from the computational world it created (Hayles, 2017; Hansen, 2015). On the other hand though, it would seem that the thoughts, feelings, behaviours and experiences of social media users, far from disappearing, are, often by design, captured and nudged from here to there by an expanding yet mostly imperceptible technological nonconscious (Clough, 2000, Thrift, 2007, Grusin, 2010). What, if anything, is disappearing in the human-computer relation?
Computational media can no longer simply be defined through the operations of narrowly defined cognitive machines implicated in clandestine data harvesting and the manipulation of individual users through e.g. psychographic profiling. Social media is a “social” machine of capture that works on relations and shared felt experiences (Sampson, Maddison and Ellis, 2018), triggering habitual tendencies (Chun, 2016) that seem to produce mass media addictions (Bartlett and Bowden-Jones, 2017). As a major component part of the propagation of the technological nonconscious, social media is less defined today by the familiar ease of connection discourses of Web 2.0 than it is by the difficulty of disconnection (Karppi, 2018). Like other media of addiction (drugs, gambling, sex), social media hooks users in the event of the habit refrain, triggering subsequent emotional anxieties and contagions. Is social media addiction a problem of personal compulsion or collective masochism?
Computational social media is a feeling machine. It feels, or prehends, the event (Ellis, 2018). But this does not mean that it has feelings, in the sense in which humans feel. There are limitations imposed on the potential of affective computing to actually feel (Shaviro, 2015). Social media is constrained to the mere reading of sentiment data, and like an actor, it can feign expressions of human emotion, but cannot feel them. However, the operational level of computational media can learn, algorithmically, from emotional experiences. It can pass on, or transmit, feelings. It can plant a behavioural hook in the user experience. Social media has an affective tone or atmosphere through which the human-computer relation strives. Feeling the event is a different matter.
Always on social media never sleeps! “Prolonged awakening, work without the limit of time, excessive light, surplus information… links… attentional capture is the new Atopia” (Neyrat, 2017). But the users of social media are often positioned as vulnerable, sleepwalking user-subjects: the user unconscious (Clough, 2018), the network somnambulist (Sampson, 2012, 2016). Like Crary’s (1999) earlier rendition of attentive analogue media subjects, the users of social media are simultaneously attentive and inattentive, and attracted and distracted by the fascinations of notifications, posts, tweets, likes, shares… This technological nonconscious, or Unthought (Hayles, 2017) human-computer relation is not unconscious, as conventionally understood.
In The User Unconscious: On Affect. Media, and Measure (2018), Patricia Ticineto Clough argues that computational media networks have fundamentally affected what it means to be human. “We are both human and other-than-human.” This luminous text explains what it means to live, think, and dream from this “other-than-human perspective.” Here Clough moves to answer questions concerning the extent to which human lives are now animated in the multiple layers of these vast computational networks and how these layers radically transform our sense of self, subjectivity, sociality, and unconscious processes. How can we probe what it means to live, think, and dream through this newly animated technological nonconscious?
Who is to blame for Trump? Trump on Twitter may seem like the unpredictable personal opinions of a racist, sexist, xenophobe that infects a population, but the technological nonconscious, or thing-self of the user unconscious, as Clough points out, “transgress[es] the separation of the personal and the networked.” It is the “affective tone” of social media itself that made Trump possible! Social media has given expressive support to a kind of microfascist populism or “population racism” that is currently spreading everywhere. What will it take to out trump the collective impulse that is Trump?
Top illustration by Francesco Tacchini, 2015
Damasio, A. (1995). Descartes’ error: emotion, reason, and the human brain. New York: Penguin.
Damasio, A. (2000). The feeling of what happens: body, emotion, and the making of consciousness. London: Vintage.
Gibbs, A. (2010). After affect sympathy, Synchrony, and mimetic communication. In Gregg, M. & Seigworth, G. J. (Eds.), The affective theory reader (pp. 186-205). Durham & London: Duke University Press.
Gregg, M. & Seigworth, G. J. (2010). The affective theory reader. Durham & London: Duke University Press.
Grosz, E. (2002). A politics of imperceptibility: A response to ‘anti-racism, multiculturalism and the ethics of identification’ Philosophy and Social Criticism. 28 (4) pp. 463-472.
Grusin, R. (2010). Premediation: affect and mediality after 9/11. New York, London: Palgrave Macmillan.
Hayles, K. N. (2006). Traumas in code. Critical Inquiry 33(1), 136-157.
Hayles, K. N. (2017). Unthought: the power of the cognitive nonconscious. Chicago and London: The University of Chicago Press.
Karppi, T. Kahkonen, L. & Mannevuo, M. (Eds.) (2016). Affective capitalism. Ephemera (16)4 Ephemera.
LeDoux, J. (2003). The synaptic self: how our brains become who we are. New York: Penguin Books.
Libet, B. (1985). Unconscious cerebral initiative and the role of conscious will in voluntary action. Behavioral Brain Sciences. (8)5, 29–566.
Rolls, E. T. (2012). Neuroculture: on the implications of brain science. Oxford: Oxford University Press.
Shaviro, S. (2015). Discognition. New York: Repeater Books.
Sampson, T. D. (2016). The Assemblage brain: sense making in neuroculture. Minnesota: University of Minnesota Press.
Thrift, N. (2004). Remembering the technological unconscious by foregrounding knowledges of position. Environment and Planning D: Society and Space. 22(1), 175-190.
Thrift, N. (2007). Non-Representational theory: space, politics, affect. New York, London: Routledge.
In production now with Rowman & Littlefield
Contents
Foreword by Gregory Seigworth
Introduction: On Affect and Social Media by Tony D. Sampson, Darren Ellis and Stephen Maddison
Part One: Digital Emotion
Introduction by Helen Powell
Chapter One: Social media, emoticons and process by Darren Ellis
Chapter Two: Anticipating affect: trigger warnings in a mental health social media site by Lewis Goodings
Chapter Three: Digitally mediated emotion: Simondon, affectivity and individuation by Ian Tucker
Chapter Four: Visceral data by Luke Stark
Chapter Five: Psychophysiological measures associated with affective states while using social media by Maurizio Mauri
Part Two: Mediated Connectivities, Immediacies & Intensities
Introduction by Jussi Parikka
Chapter Six: Social media and the materialisation of the affective present by Rebecca Coleman
Chapter Seven: The education of feeling: Wearable technology & triggering pedagogies by Alyssa D. Niccolini
Chapter Eight: Mediated affect & feminist solidarity: Teens’ using Twitter to challenge ‘rape culture’ in and around school by Jessica Ringrose and Kaitlynn Mendes
Part Three: Insecurity and Anxiety
Introduction by Darren Ellis and Stephen Maddison
Chapter Nine: Wupocalypse Now: Supertrolls and other risk Anxieties in social media interactions by Greg Singh
Chapter Ten: Becoming user in popular culture by Zara Dinnen
Chapter Eleven: #YouTuberanxiety: Affect and anxiety performance in UK beauty vlogging by Sophie Bishop
Chapter Twelve: Chemsex: anatomy of a sex panic by Jamie Hakim
Chapter Thirteen: Designing life? Affect and gay porn by Stephen Maddison
Chapter Four: Contagion: Image, Work, Politics and Control
Introduction by Tony D Sampson
Chapter Fourteen: The mask of Ebola: Fear, contagion, and immunity by Yiğit Soncul
Chapter Fifteen: The newsroom is no longer a safe zone: Assessing the affective impact of graphic user-generated images on journalists working with social media by Stephen Jukes
Chapter Sixteen: Emotions, social media communication and TV debates by Morgane Kimmich
Chapter Seventeen: The Failed Utopias of Walden and Walden Two by Robert Wright
Acknowledgements
Index