Category: Human Computer Interaction (HCI)
And a video to go with the new book . Thanks to Mikey Vessel Georgeson for aesthetic diagrams and images of his Somnambulist performance at the Affect Summer School last summer. A really big thanks to John Leo Dutton who allowed the use of his music – which is incidentally part of a dystopian media project we have yet to finish called Fordlandia.
Although set for a July release in the UK, I’m told a print version is on its way to me this week! There’s also a link to the book on the Polity website. http://politybooks.com/bookdetail/?isbn=9781509537402
Buy it for no other reason than Mikey Georgeson’s marvellous illustrations
The deadline for submission to Affect and Social Media#5 and the Sensorium Art Show is fast approaching.
Call for Papers and Artworks Deadline 21st Feb 2020
Affect & Social Media#5/Sensorium
Stratford, East London: 25-26/06/20
Carolyn Pedwell (Kent)
Tero Karppi (Toronto)
Keynote Panel: Amit S Rai (Queen Mary), Rebecca Coleman (Goldsmiths), Ian Tucker and Darren Ellis (UEL). Chaired by Tony Sampson.
Full details of CfP on the theme of More-Than: https://viralcontagion.blog/asm5-summer-2020/
There’s a video of the Reworking the Brain session at Transmediale 2019.
Here’s the link to Transmediale Events Schedule: https://2019.transmediale.de/events/schedule
31 Jan – 03 Feb
transmediale 2019 focuses on how feelings are made into objects of technological design and asks what role emotions and empathy play within digital culture. One of the key questions of the upcoming festival is “What moves you?”, referring not only to an emotional response but also to the infrastructures and aesthetics that govern how affect becomes mobilized as a political force today.
With digital technologies being integrated into the liveness of experience, a new situation for social change and cultural practice has arisen, which currently seems to lead to either political extremes or extreme complacency. How to resist the manipulative and polarizing aspects of affect in the digital public sphere as it is expressed through a deadlock of the politics of feeling on the one side and disengagement on the other? What motivates social engagement and how can new forms of care and solidarity be developed and embodied?
For the first time in many years, the festival does not have a title in order to emphasize the possibility of emergence: In response to a critical time, transmediale wants to focus on live practices and the creation of learning environments rather than close down meaning.
Taking up the challenge of how to understand and work with new technologies of feeling, transmediale recognizes that digital culture has become instrumental for capturing and managing what Raymond Williams once called “structures of feeling”—lived experiences and cultural expressions, distinct from supposedly fixed social products and institutions. Such experiences and expressions now create the affective spaces of social media, form the design imperatives of artificial intelligence applications, and seem to be capable of evoking empathy through virtual reality. In these contexts, social and political issues tend to become emotionalized and get turned into binary choices of for and against. One of the contemporary challenges is how to be critical and affirmative at the same time while avoiding such oversimplifications. For this purpose, transmediale 2019 strives to feature living, and not yet fully formed digital cultures of artistic vision, speculative thinking, activist intervention, and counter-cultural dreaming.
Following its focus on cultural emergence, the 2019 festival aims for a high level of participant and audience engagement through discussion-based and educational formats: Preceding the public festival days, transmediale offers the new Student Forum to create an environment for concentrated, in-depth work and studying. The workshop program is extended and starts on 29 January, too, continuing throughout the festival. Furthermore, the transmediale Study Circles are integrated across the program, zooming in on specific aspects of the festival theme. The Study Circles Affective Infrastructures and Uneasy Alliances consist of working groups in which participants come together before, during, and after the festival and generate various outputs such as workshops, events, and publications.
Find all events in our 2019 schedule.
Tony D. Sampson
Damasio, A. (1995). Descartes’ error: emotion, reason, and the human brain. New York: Penguin.
Damasio, A. (2000). The feeling of what happens: body, emotion, and the making of consciousness. London: Vintage.
Gibbs, A. (2010). After affect sympathy, Synchrony, and mimetic communication. In Gregg, M. & Seigworth, G. J. (Eds.), The affective theory reader (pp. 186-205). Durham & London: Duke University Press.
Gregg, M. & Seigworth, G. J. (2010). The affective theory reader. Durham & London: Duke University Press.
Grosz, E. (2002). A politics of imperceptibility: A response to ‘anti-racism, multiculturalism and the ethics of identification’ Philosophy and Social Criticism. 28 (4) pp. 463-472.
Grusin, R. (2010). Premediation: affect and mediality after 9/11. New York, London: Palgrave Macmillan.
Hayles, K. N. (2006). Traumas in code. Critical Inquiry 33(1), 136-157.
Hayles, K. N. (2017). Unthought: the power of the cognitive nonconscious. Chicago and London: The University of Chicago Press.
Karppi, T. Kahkonen, L. & Mannevuo, M. (Eds.) (2016). Affective capitalism. Ephemera (16)4 Ephemera.
LeDoux, J. (2003). The synaptic self: how our brains become who we are. New York: Penguin Books.
Libet, B. (1985). Unconscious cerebral initiative and the role of conscious will in voluntary action. Behavioral Brain Sciences. (8)5, 29–566.
Rolls, E. T. (2012). Neuroculture: on the implications of brain science. Oxford: Oxford University Press.
Shaviro, S. (2015). Discognition. New York: Repeater Books.
Sampson, T. D. (2016). The Assemblage brain: sense making in neuroculture. Minnesota: University of Minnesota Press.
Thrift, N. (2004). Remembering the technological unconscious by foregrounding knowledges of position. Environment and Planning D: Society and Space. 22(1), 175-190.
Thrift, N. (2007). Non-Representational theory: space, politics, affect. New York, London: Routledge.
Reader in Digital Media Cultures and Communications
“Transitions in human–computer interaction: from data embodiment to experience capitalism” out now in AI & SOCIETY.
This “experimental” article was written after the Streams of Consciousness conference at Warwick in 2016 where I tried to get Gramsci to do HCI. After spending the summer reading lots of Whitehead related material, HCI and UX texts on a boiling hot visit to Lisbon and Porto, it’s an attempt to do the same with Whitehead. I guess there might be a few HCI types out there scratching their heads on this one, but it is an experiment 🙂
The good news is that the publisher lets you publicly share the full-text (view-only version) of your paper even if you or your institution didn’t pay for the full Open Access option (download and print the PDF).
“There are no restrictions on the number of people you may share this link with, how many times they can view the linked article or where you can post the link online.”
Better than no access at all.