Addiction, excess and artists: strategies of resistance

Are We All Addicts Now? Symposium and Book Launch.

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Date: Tuesday 7th November, 6.30 – 9pm

Venue: Central St Martins, University of the Arts London, 1 Granary Square, London, N1C 4AA

Tickets for the event are now available so please feel free to share this info.

http://www.furtherfield.org/programmes/event/are-we-all-addicts-now-symposium-and-book-launch

Here’s the blurb for the panel I’ll be talking on

Addiction, excess and artists: strategies of resistance

Techniques such as neuro-marketing are used online to keep users on device, driving endless circulation and drawing profits from every click. While many artists have celebrated overstimulation and digital excess, others incorporate strategies of resistance into their practice. In a hyper digital world, what are the possibilities for defying techniques such as neuro-marketing, nudging and gamification and what role can artists play in these acts of resistance? 

Reader in Digital Culture Tony D. Sampson explores neuro-marketing and digital addiction 

Artists Katriona Beales and Fiona MacDonald : Feral Practice discuss strategies of resistance from the AWAAN exhibition

Artist and writer Emily Rosamond on reputation addiction and how to resist it 

 

About Virality

Tony D. Sampson is Reader in Digital Culture and Communications at the University of East London. He has a PhD in social-cultural-digital contagion theory from the Sociology Department at the University of Essex. He is a former art student who re-entered higher education in the UK as a mature student in the mid-1990s after a long stint as a gigging musician. His career in education has moved through various disciplines and departments, including a maths and computing faculty, sociology department and school of digital media and design His publications include The Spam Book, coedited with Jussi Parikka (Hampton Press, 2009), Virality: Contagion Theory in the Age of Networks (University of Minnesota Press, 2012), The Assemblage Brain: Sense Making in Neuroculture (University of Minnesota Press, 2016) and Affect and Social Media (Rowman and Littlefield, July 2018). He is organizer and host of the Affect and Social Media conferences in the UK. As a co-founder and co-director of the public engagement initiatives, Club Critical Theory (CCT) and the Cultural Engine Research Group (CERG), Sampson has developed a number of funded research projects and public events that aim to bring impactful critical theories into the community and local political sphere to approach a series of local challenges. These activities have included large conferences co-organized with local authorities looking at a range of policies relating to the revitalization of the Essex costal region, developments in the cultural industries as well as a series of community focused events on food cultures and policy, collaborations with arts groups and informal lectures/workshops in pubs and community centres. Director of the EmotionUX Lab at UEL. He occasionally blogs at: https://viralcontagion.wordpress.com/ Full academic profile: https://www.uel.ac.uk/Staff/s/tony-sampson
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One Response to Addiction, excess and artists: strategies of resistance

  1. Pingback: Reblog> Addiction, excess and artists: strategies of resistance – Spatial Machinations

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