Tag: technology

A&SM#4 Full Programme

We are very pleased to confirm the full programme (see below) for the fourth Affect and Social Media one day conference at UEL’s USS building in Stratford, east London on Nov 7th.

The 2018 event marks the publication of the first Affect and Social Media book (Rowman & Littlefield International).

Together with 7 panels, featuring cutting edge international research and curated sensorium performances, there is a special keynote by Patricia Ticineto Clough followed by a keynote panel and audience Q&A.

The event will culminate with the A&SM book launch, live music from The Indelicates and refreshments.

A&SM#4 is free, but advance online registration is essential to gain access to UEL’s USS campus building.

To register and see more information on the conference visit: https://viralcontagion.blog/affect-social-media4/

Affect and Social Media#4 Programme

University Square Stratford, east London, UK, 7th Nov 2018, 10am-10pm

Download PDF Version

Time. Location

All Rooms TBC

Actual Occasion
10.00-11.10am Entrance to the University Stratford Square Campus Building Registration

Please note that before entering the campus all attendees must register online: https://www.eventbrite.com/e/affect-social-media4-notifications-from-the-technological-nonconscious-tickets-46972453874

11.15-11.45

Room USG.17 Main Lecture Theatre

Welcome to A&SM#4 by Tony D Sampson

plus Sensorium One

Break 15mins  
12-1pm

Parallel Sessions A

Choice of three panels

Panel 1: USG.17

Panel 2: USG19 or US2.30

Panel 3: USG20 or US2.31

Panel 1 Chaired by Greg Seigworth

 

Lisa Blackman (Goldsmiths, UK) Haunted Data

 

Camilla Møhring Reestorff (Aarhus University, Denmark) Affective Governmentalization: Backlashes again the #Metoo-movement in Denmark

 

Heather Radwan Jaber (University of Pennsylvania, USA) Sexual harassment and social media in Egypt: Reorienting the resonance machine

Panel 2 Chaired by Darren Ellis

 

Vered Elishar-Malka & Yaron Ariel (Yezreel Valley College, Israel) Social media, Legacy media, and the public, in the Trump(ing) era

 

Suzanne van Geuns (University of Toronto, Canada) Rational Virtuosity and Religious Promise: Aspiring toward Jordan Peterson in Reddit Debates

 

Fadi Safieddine, (Queen Mary University, UK)

Factors contributing to the continuing failure in combating the spread of fake news on Social Media

Panel 3 Chaired by Ian Tucker

 

Maximilian Stobbe, (Freie Universität, Berlin, Germany) My Reaction Can Be Summed up by the Guy at 2:23!” – YouTube Reaction Videos as Affective Practices

 

Orsolya Bajusz (Corvinus University of Budapest, Hungary) The affective dynamics of online shaming and liberal moral outrage

 

Fulla Abdul-Jabbar (School of the Art Institute of Chicago, USA) Why did you cry when you read that poem

Break 5mins Find next panel
Parallel Session B

1.05-2.05pm

Choice of two panels

Panel 4 in USG. 19/20 or USG. 19

Panel 5 in USG.20 or US2.31

 

Panel 4 Chaired by Darren Ellis

 

Angie Voela (University of East London, UK) Fragile masculinities and contemporary psycho-power: The Case of InCel

 

Ali Lara (University of East London, UK) Affective Modulation in Positive Psychology’s Regime of Happiness

 

Trenton Lee (University of Westminster, UK) Feeling the Burn: Effect of Digital Capitalism on the Mental Health of Creators

 

Panel 5 Chaired by Stephen Maddison

 

Sarah Cefai (London College of Communication, UK) Stupid in the Moment: Excavating the Patriarchal Nonconscious of Humiliation

 

Christina Riley (George Mason University, Virginia), The Affective Flux of Feminist Digital Collectives or What Happened to the Women’s March of 2017

 

Annelot Prins (Freie Universität Berlin, Germany) How Much Do You Want To Meet Taylor Swift? The Cruel Optimism of Online
Fan Labour

 

 

 

2.05-3.05pm

In USG.19/20 and/or the Foyer

The Sensorium 2

The Actual Occasion – a silent disco with Mikey B Georgeson 

 

Parallel Session C

3.05-4.05pm

Choice of two panels

Panel 6 in USG. 19/20 or USG. 19

Panel 7 in USG.20 or US2.31

 

Panel 6 Chaired by Ali Lara

 

Antonia Hernández (Concordia University, Canada) The Simple, the Compound, and the Spurious: Assemblages of Bots and Humans on a Sexcam Platform

 

Elena Pilipets (Alpen-Adria-Universität Klagenfurt, Austria) Sleeping with Netflix: The (Dis)Connected Body of Serial Binge Viewer

 

Andreas Schellewald (University of Edinburgh, UK) Going down the algorithmic rabbit hole: approaching affective engagement in montage videos on social media platforms

 

Panel 7 Chaired by Stephen Maddison

 

Vered Elishar-Malka, Dana Weimann-Saks & Yaron Ariel (Yezreel Valley College, Israel) The Secret Online World of Women: Intimacy and Exposure among Women’s Closed Facebook Groups

 

Josie Barnard (Middlesex University, UK) The Multimodal Writer

 

 

4.05-4.15pm 10min break
Session D

4.15-6.45.pm in Main Lecture Theatre USG.17

Keynote Session

Patricia Ticineto Clough: The User Unconscious: Embodiment and Thought

Audience Q&A

Keynote Panel

Opening response by Gregory J. Seigworth (Millersville)

Keynote Panel

Jessica Ringrose (UCL), Amit Rai (Queen Mary), Rebecca Coleman (Goldsmiths), Darren Ellis and Ian Tucker (East London)

Audience Q&A with panel

Session D chaired by Tony D Sampson

 7-10pm

USG.19/20 and USS Foyer

Affect and Social Media book launch & Sensorium Performance 3 including

Live performance by The Indelicates

 

 

 

 

Call for Abstracts: “Neuroaffect” at Capacious: Affect Inquiry/Making Space Conference: August 8 to 11, 2018

Thanks to those of you who have already sent in proposals for this call.

Interim reminder – The final deadline for submissions is Thursday, March 15, 2018.

Call for 250-word paper abstracts for Stream 15: Neuroaffect

phrenology

For Capacious: Affect Inquiry/Making Space Conference: August 8 to 11, 2018 at Millersville University’s Ware Center, Lancaster, Pennsylvania: http://capaciousjournal.com/conference/

S15: “Neuroaffect”

Call for 250-word paper abstracts can now be submitted to

capacious@millersville.edu

The final deadline for submissions is Thursday, March 15, 2018.

STREAM ORGANIZER
Tony D. Sampson

For the most part affect theory has enthusiastically welcomed the neurosciences into its fold. Through the work of Libet (1985), Damasio (1995), and LeDoux (2003), for example, affect theorists have challenged mainstream anthropocentricism in the humanities, upsetting the stability of a model of human cognition previously assumed to hold sway over the perceptible world. As follows, the brain sciences have helped to support an alternative perspective in which humans arrive late to consciousness since their brains take time to build a cognitive reaction. Immediate experience of consciousness is, as such, a backdated illusion and just one of many responses to the dynamics of the exteriority of experience. As Gibbs (2010) argues, there can be no “pure cognition… uncontaminated by the richness of sensate experience, including affective experience” (p. 200). Indeed, according to affect theory, thinking is not at all limited to the thought inside the brain. On one hand, somatic markers act as a kind of corporeal thinking in which emotion becomes a capture of affect in consciousness. On the other, a new materialist affect theory extends the image of thought to a wider remit of incorporeal sense making including nonhumans, self-organizing matter, assemblages and events. The analytical focus has thus shifted away from conventional cognitive processes (perception, memory, representation) to the significance of such things as imperceptibility (Grosz, 2003), precognition and nonrepresentation (Thrift, 2007), premediation (Grusin, 2010), processual incorporeality (Gregg and Seigworth, 2010) and discognition (Shaviro, 2015).

There has, nevertheless, been an inevitable backlash against affect theory’s cosying up to the brain sciences. Wetherall (2012), for example, argues that Thrift and Massumi take the wrong message from neuroscience (p. 61). Her work does not simply reject neuroscience, but instead uses it to (re)personalize affect and renegotiate it alongside discourse, representation and meaning. Similarly, Hayles (2017) has recently drawn on the same neuroscientific resources as affect theory (e.g. Damasio, Libet), but argues against the Spinoza-Deleuzian overtures of new materialism and returns the brain (and its fellow cognizers) to the cognitive theoretical frame.

The neuroaffect stream welcomes provocative, inventive and speculative interventions that engage with the wide-ranging influence of the neurosciences on affect theory and related areas. It asks for submissions that engage with neuro-concepts of affect, such as the nonconscious, somatic markers, lags, mirror neurons, neuro-typicality, assemblage brains, technological nonconscious and discognition, while also addressing the numerous challenges and reinventions of affect stemming from various interventions in the humanities and social sciences.

Possible topics for the stream are not limited to the following neuros:

Neuroaffect, somatic markers, lags, mirror neurons, neuro-typicality, cognition, noncognition, discognition, consciousness, nonconsciousness, technological nonconscious, brains, microbrains, assemblage brains, temporality and space, locationism, neuroevents, neuropolitics, neuropopulism, neuro-dystopia/utopia, neurocapitalism, neuromedia, ontology, nonhumans, Anthropocene, contagion, organic and inorganic matter, assemblages, antilocationism, neurophilosophy, neurophenomenology, neuroprocess philosophy, neurocomputing, neural nets, brain-computer interfaces, neurofiction, brain-art, neuroaesthetics, neurobleedin’ everything…

 

REFERENCES

Damasio, A. (1995). Descartes’ error: emotion, reason, and the human brain. New York: Penguin.

Damasio, A. (2000). The feeling of what happens: body, emotion, and the making of consciousness. London: Vintage.

Gibbs, A. (2010). After affect sympathy, Synchrony, and mimetic communication. In Gregg, M. & Seigworth, G. J. (Eds.), The affective theory reader (pp. 186-205). Durham & London: Duke University Press.

Gregg, M. & Seigworth, G. J. (2010). The affective theory reader. Durham & London: Duke University Press.

Grosz, E. (2002). A politics of imperceptibility: A response to ‘anti-racism, multiculturalism and the ethics of identification’ Philosophy and Social Criticism. 28 (4) pp. 463-472.

Grusin, R. (2010). Premediation: affect and mediality after 9/11. New York, London: Palgrave Macmillan.

Hayles, K. N. (2006). Traumas in code. Critical Inquiry 33(1), 136-157.

Hayles, K. N. (2017). Unthought: the power of the cognitive nonconscious. Chicago and London: The University of Chicago Press.

Karppi, T. Kahkonen, L. & Mannevuo, M. (Eds.) (2016). Affective capitalism. Ephemera (16)4 Ephemera.

LeDoux, J. (2003). The synaptic self: how our brains become who we are. New York: Penguin Books.

Libet, B. (1985). Unconscious cerebral initiative and the role of conscious will in voluntary action. Behavioral Brain Sciences. (8)5, 29–566.

Rolls, E. T. (2012). Neuroculture: on the implications of brain science. Oxford: Oxford University Press.

Shaviro, S. (2015). Discognition. New York: Repeater Books.

Sampson, T. D. (2016). The Assemblage brain: sense making in neuroculture. Minnesota: University of Minnesota Press.

Thrift, N. (2004). Remembering the technological unconscious by foregrounding knowledges of position. Environment and Planning D: Society and Space. 22(1), 175-190.

Thrift, N. (2007). Non-Representational theory: space, politics, affect. New York, London: Routledge.

Wetheral, M. (2012). Affect and emotion: a new social science understanding. London: Sage.

Garnet Hertz and Disobedient Electronics

With my design theory hat on I must say that this looks amazing…

“Disobedient Electronics: Protest (Hertz, 2016) is a limited edition publishing project that highlights confrontational work from industrial designers, electronic artists, hackers and makers from 10 countries that disobey conventions. Topics include the wage gap between women and men, the objectification of women’s bodies, gender stereotypes, wearable electronics as a form of protest, robotic forms of protest, counter-government-surveillance and privacy tools, and devices designed to improve an understanding of climate change.”

Download the PDF: Disobedient Electronics: Protest (Hertz, 2016)

Snapstreaks, group chats and ghosting: read receipts are changing the way we communicate…

Wonderful to see one of UEL’s Media and Communications final year undergrads published in Dazed last week. Nice coincidence that he asked to talk to me about this example of habit forming interaction design just as I was preparing to do a similar talk at the Are We All Addicts Now book launch at Central St Martins.

Read it here! http://www.dazeddigital.com/science-tech/article/38010/1/how-seen-messages-on-facebook-mess-with-your-mental-health

Dazed

 

Are We All Addicts Now? Digital Dependence – book out now!

I have a chapter in this book (co-edited by Vanessa Bartlett & Henrietta Bowden-Jones) called ‘Tap My Head and Mike My Brain’: Neuromarketing and Digital Addiction – a nod (endnote) goes to Jussi Parikka’s Pynchon reference in his review of The Assemblage Brain.

I’m also taking part in the Are We All Addicts Now? symposium at Central St Martins (University of the Arts London) in collaboration with London Laser. The date for this event is yet to be fully confirmed, but likely to be at 6.30pm on Tuesday 7 November.

The book is published by Liverpool University Press: https://liverpooluniversitypress.co.uk/products/100809

It’s part of an amazing looking exhibit at Furtherfield Gallery in London between 16 September – 12 November 2017: http://furtherfield.org/programmes/exhibition/are-we-all-addicts-now

Here’s the blurb

Are We All Addicts Now? Digital Dependence is an artist-led enquiry by Katriona Beales into digital hyper-connectivity and the normalization of addictive behaviours through our everyday interactions with digital devices. While internet addiction is not yet considered an official psychiatric disorder, it is gaining increased recognition as a behavioral phenomenon in both scientific study and the popular press. This project is the first interdisciplinary exploration of this burgeoning diagnostic territory. The book combines visual and textual research, including artistic works from Katriona Beales and Fiona MacDonald : Feral Practice, alongside essays from contributors in the fields of anthropology, digital culture, psychology and philosophy. Informed by the latest scientific research, the book acknowledges the increasing difficulty many people experience in controlling their online habits. At the same time, it also thinks beyond the biological model of internet addiction toward the social and political dimensions that shape everyday online activities and habit-forming behaviour. This book is co-edited by curator Vanessa Bartlett and medical doctor and neuroscience researcher Henrietta Bowden-Jones. It is published to coincide with a major exhibition of new artwork by Katriona Beales at Furtherfield, London.

The below text is taken from Vanessa Bartlett’s blog.

Are We All Addicts Now? Digital Dependence… new book goes to press

For the past two years I have been working in collaboration with artist Katriona Beales on her Welcome Trust funded project Are We All Addicts Now? The project developed off the back of her 2015 work White Matter, which I commissioned as part of my Group Therapy exhibition with FACT (Foundation for Art and Creative Technology). The project will culminate in a major exhibition of new artwork by Katriona at Furtherfield, London this September.

Are We All Addicts Now?  is an artist-led enquiry into digital hyper-connectivity and the normalization of addictive behaviours through our everyday interactions with digital devices. While internet addiction is not yet considered an official psychiatric disorder, it is gaining increased recognition as a behavioral phenomenon in both scientific study and the press.

I have edited the Are We All Addicts Now? book in collaboration with medical doctor and neuroscience researcher Henrietta Bowden-Jones. It combines visual and textual research, including artistic works from Katriona, alongside essays from contributors in the fields of anthropology, digital culture, psychology and philosophy. Informed by the latest scientific research, the book acknowledges the increasing difficulty many people experience in controlling their online habits. At the same time, it also thinks beyond the biological model of internet addiction toward the social and political dimensions that shape everyday online activities and habit-forming behaviour. This book is the first interdisciplinary exploration of this burgeoning diagnostic territory.

The book also features some amazing visuals by designer Stëfan Schäfer (see featured image).

List of contributors:

Katriona Beales
Ruth Catlow
Mark D. Griffiths with Daria J. Kuss & Halley M. Pontes
Fiona MacDonald : Feral Practice
Gerald Moore
Emily Rosamond
Tony Sampson
Theodora Sutton

It’s due to be published on 15 September and is available from the Liverpool University Press website

Call for papers: Affect, Politics, Social Media

Call for papers: Affect, Politics, Social Media
In prolongation of Affect and Social Media #3 Conjunctions: Transdisciplinary Journal of Cultural Participation welcomes proposals that interpret and explore affective and emotional encounters with social media and the ways in which the interfaces of social media in return modulate affectivity. Fake news have come to be a highly debated framework to understand the consequences of the entanglements of affect, politics and social media. But theories on fake news often fail to grasp the consequences and significance of social media content that are not necessarily fake, but are merely intended to affectively intensify certain political positions. 
It is in this context that it becomes crucial to understand the role of affect in relation to the ways in which social media interfaces function, how affective relations are altered on social media and not least how politics is transformed in the attempt to capitalize on the affective relations and intensities potentially fostered on social media. 
This special issue invites empirical, theoretical and practical contributions that focus on recent (political) media events – such as Brexit, the US and French elections and the refugee crisis – and how these unfolded on, and are informed by, social media. Proposals might, for instance, address how the Trump campaign allows us to develop a new understanding of the relationship between social media and politics. As such the issue seeks papers that develop new understandings of affective politics and take into account shared experiences, affective intensities, emotional engagements and new entanglements with social media.

For more information, including author guidelines, please visit http://www.conjunctions-tjcp.com/
Deadline 28 November 2017
Articles must be submitted to conjunctions@cc.au.dk 

All the best

Tony Sampson, Camilla Reestorff, Hannah Clemmensen, Jonas Fritsch and Jette Kofoed

#Affect and Social Media 3.0: Final Call and Registration Now Open

Announcing the final call for academic presentations and artworks for #Affect and Social Media 3.0. A one day conference and sensorium art show at UEL on Thursday 25th May 2017 at the University of East London’s Dockland Campus.

Confirmed keynote speaker: Prof Jessica Ringrose (UCL)

We are also pleased to announce that registration for this event is now open.

Both the call and link to registration are here: https://www.uel.ac.uk/Events/2017/05/Affect-and-Social-Media-3

Please note that everyone attending must register in advance. Thanks!

£3 for external students

£5 for external workers

Free for UEL staff and students

Free for nonhumans, posthumans etc.

Best wishes to all,

Tony

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